Chinese Takeaway (Hangzhou / Shanghai)
At 302 km/h, China's hills and cities rush past me. On the screen next to the speed display of the high-speed train, propaganda videos about the civil war alternate with...


Published: 12.11.2025
In Beijing, I only spend one night before moving on. Xiawei mentioned a cinema where indie films are regularly shown. It’s very close to my hotel. Given the vastness of Beijing, that's a rare coincidence. The China Film Archive is showing a film by Hong Kong director Wong Kar-wai, whose other film 'Chungking Express' I had already noted. 'In the Mood for Love' from 2000 is Kar-wai's most famous film and is about an unfulfilled love in 1950s Hong Kong. Xiawei said, English subtitles are the norm in this cinema. My screening is the exception. Once again, I sit in front of a screen and understand only Chinese. But this time it’s not a one-hour documentary that explains itself through images but a two-hour romance where the dialogues are essential. Leaving now is also not an option. So I immerse myself in the film through the images and expressions of the two main actors. The end perplexes me, though. Instead of a happy ending, the two lovers go their separate ways, and Chow's role in the final scene is to go to Angkor Wat and whisper something into one of the sandstone blocks. When I later read about the plot, the scene makes sense. In the moment at the cinema, it touches me just as much as all the others in the hall, as I myself had just been to Angkor Wat a month and a half ago. On my way back to the hotel, I watch some men playing Xiangqi. With loud clattering, they hit the pieces together. The men around comment and laugh after each move.
Five minutes later, I find myself at the end of a street. A small path begins behind a waist-high wall, just as hidden as in the description I found online. After another five minutes, I arrive at a ridge and recognize to the west at the other end of Gubeikou the first foothills of the wall section. My tour leads me east and five minutes later, I am standing on the wall. The view of the architecture trending towards the horizon is gigantic. At each corner and every one of the watchtowers rising every few hundred meters, I want to take new photos, because the landscape and the view of the wall are always totally different.
Often, old wall structures were built over by newer ones. The remnants I now stand on date back to the 6th century. According to my research and impression, they are not built over or restored like some of the other sections that are now tourist magnets. In Gubeikou, you can pay admission. You can, but you don't have to. I am a bit proud that I bypassed the control at the official entrance to the wall with the inconspicuous path. The Mongols could only have dreamed of that.
When the path at the Jinshanling section reconnects with the wall, I must pay for entry after all. The part of the ruin from the Ming Dynasty has been completely renovated in the last decades and is therefore quite popular. For the very lazy who do not want to walk the few hundred meters from the parking lot, there is a cable car. Near the station, the stairs at a steep 45 degrees are heavily frequented. The further I get away from it, the fewer tourists are on the move. As I pass one of the exits to the parking lot, I am warned. I have to come down here again by 4 p.m., as The Great Wall closes. Too bad, during the Ming Dynasty, it was still occupied 24/7.
In the imperial city, women and couples pose in traditional clothing in front of the pagodas and former accommodations of the emperor's concubines. Cosplay, Chinese style.
Our guide briefly explains the sequence of dynasties and history before the glorious victory of the communists in the civil war. Starting in 1912, the country was shaken by the constant battles of warlords. The existence of a republic is not mentioned in his narrative.
A group of French people noisily enters. 'Bonjour, Francaise?', one of them asks me expectantly. 'No, Allemande,' I reply apologetically. They sit down next to a couple who happens to be from France too and start enthusiastically chatting. Time for me to leave.
But in the end, I remember the encounters with friendly Chinese people. Whether it’s the cheerful taxi drivers or the helpful staff at the family-run hotel in Gubeikou. Whether it’s the English-speaking Chinese woman who explained the way to the wall to me in Simatai, or the shop owner at the tea fields of Hangzhou who gestures to hold small talk about the weather with me across the language barrier. No matter what I may think about world politics and the one-party state, the working masses of China offer me an honest smile.
When I want to get on the subway, the tunnel is blocked by a rolling gate. A Chinese woman, who apparently also wants to go to the airport and notices my confusion, explains to me via phone translation that it will open in two minutes. At the platform and on the train, we start talking, partly through translation app, gestures, and English. She has never been abroad but would love to go to Australia. 'There are not so many people,' I read on her phone. Understandable, considering she lives in Beijing. 'Have a good flight!', she waves goodbye to me when I get off at Terminal 1. Thank you. 'Xiexie. You too.'
